How can one not love a
movie about children crafted with utmost compassion - children with special
needs at that? But, is that the only reason I liked Tare Zameen Par? Maybe -
maybe not. What I know for sure is that a strong one-line story is narrated
extremely charmingly. It is truly uplifting when spirit wins and yet, it is not
all about the spirit of winning.
Tare Zameer Par is
about a child who suffers because no one around him recognizes that he is a
slow learner. The beauty of the narration is that the message applies to all
children - learning disability or not. How can creativity not deserve a place
in academics? It also points a very subtle finger at how we build conformation
in our system right at the roots.
The pace of the first half
gives you time to think of normal children who are just not academically
inclined. The resolution in the second half, however, comes by too quickly
compared to the trauma shown earlier. But, I guess, if the point is to show
that difficulties can be overcome, you don't necessarily want to show how
difficult it is to overcome them.
About 45 minutes
post-interval, Darsheel Safary (Ishaan) said a line which made me realize that
he hadn't said a line in the last hour or so. There I was feeling sorry for Ishaan,
feeling like yelling at someone to give him a big hug while I fought this lump
in my throat that had been there for the longest time. All this based solely on
Darsheel's expressions and body language!
Aamir Khan's entry into
the movie seemed over-the-top and forced, mainly because it was in absolute
contrast with the tone of the movie thus far. But after a little while you
realize that you can't distinguish between the actor/director Aamir Khan and
his character Nikhumb. They are both fighting the same cause. Passionately. The
other characters serve their purpose as caricatures - stereotypical father,
loving mother, understanding sibling, ruthless teacher, and jeering peers.
No matter who or what
the focus of the camera is, the love it feels towards its subjects shows in
each frame. And, in turn, you fall in love with what you see on screen.
Compositions, lighting, angles, colors all work successfully together to
engross you and very often to enchant you. The lingering camera might have
added a good 10-15 minutes to the run-time. But you will be hard-pressed to
point out exact scenes which the movie could have done without. Everything is
building character or atmosphere or both.
Yes, that dash of
seemingly inevitable melodrama exists. The side-characters transform for no
apparent reason. The climax is exaggerated and is as unrealistic as it could
get. However, the aim is to show not reality of life but reality of the
condition that this child suffers from.
-TARE
ZAMEEN PAR- A Lesson for
Parents and Teachers
Sir, bila nak update post? im waiting!! ;D
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